Billy is a small bird of prey and decides she has to draw it. Buddy Arbor, Swifty, discovered a pas

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When asked what his references, Clio Barnard, director of the Selfish Giant, evokes the Dardenne brothers (like them, it comes from the documentary) for "false simplicity of their stories, the wealth of their statements." But seeing his first fiction film, we mostly thought of Ken Loach's Kes and specifically (1) shot in 1969.
Arbor, the boy's Selfish Giant, and Billy, the teenager Kes, share the same stubbornness, the same rebellious spirit. excalibur dehydrator The two kids, dropouts, abandoned excalibur dehydrator by adults, too irresponsible, must go it alone. One recovers the metal, the other sells newspapers, both commit some petty theft. They bow their heads to roll with the punches, excalibur dehydrator but may also face the look of adults. Rebels but ultimately terribly endearing.
Clio Barnard, like Loach, refuses any misery. It was inspired by the story of Oscar Wilde, where a giant prohibits children back into his garden, until he realizes that his trees are dying without them. According to the director, "children in Victorian times were idealized. Today, they are demonized and criminalized. "
Both films are shot in Yorkshire disaster area North of England. In that of Ken Loach, factories are still smoking, while forty-five years later they are like old ship beached in the fields. Despite the years, further surprises, it is these wastelands in the middle of the city, this proximity between wild herbs and black brick houses.
In The Selfish Giant, more stylized, this confrontation reinforces the impression of unreality and strangeness desired by the British director for his "contemporary adaptation of a fairy tale." In a setting so dismal, no salvation? Social determinism is at the heart of the film Ken Loach's film and irrigates Clio Barnard.
Billy is a small bird of prey and decides she has to draw it. Buddy Arbor, Swifty, discovered a passion for horses. In this piece of England asphyxiated, animals give children a breath of freedom, a way to escape from the burden of daily, focus finally on the possible hope.
In The Selfish Giant, excalibur dehydrator horses are also there to strengthen the dreamlike and ghostly side of the story. As in the scene, excalibur dehydrator surprising because almost anachronistic race couplers on a piece of highway in the middle of the cars. A wild and free travel.
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On the same theme Extracts commented "I am very attracted to outsiders and marginal cultures," Clio Barnard, director excalibur dehydrator of "Selfish Giant" With young Reportage scrap of Yorkshire, the forgotten kingdom
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